Columbia College Chicago

Virtual talk for Visda Goudarzi’s class "The Sonic Experience".

"Decentralised Creativity and Agential Systems in Music" conference, Orpheus Institute, Ghent

Keynote address: "Ethnography of a Data-Making Practice".
[read more]

W&K, Mozarteum / Paris-Lodron University Salzburg

Invited talk: "Ethnography of a Data-Making Practice".
[read more]

AEC Congress, Mozarteum University Salzburg

Workshop: "Artificial and Artistic Intelligence".
[read more]

17th International Symposium on Computer Music Multidisciplinary Research (CMMR 2025), UCL, London

Panel Discussion on Artificial Intelligence with Rebecca Fiebrink, Mark Sandler, Tommie Introna and Artemi-Maria Gioti.
[read more]

Subnet talk, HCI ‐ Division for Human-Computer Interaction, Techno‐Z Salzburg

Guest lecture: "What the Machine Hears: An Artistic Research Investigation of Machine Listening Processes".
[read more]

Zeitgenuss Festival, Karlsruhe

"Hybrid processes": panel discussion with Lea Luka Sikau (mod.), Julian Stahl and Artemi-Maria Gioti.
[read more]

Music4Change 2025, Museum of Modern Art, Thessaloniki

"Critical AI and artistic research": panel discussion with Eleni Ikoniadou (mod.), Lee Gamble, Danae Stefanou and Artemi-Maria Gioti.
[read more]

ditact women's IT studies, Techno‐Z, Salzburg

1-day workshop: "Critical AI".
[read more]

"Musical Creativities in the age of AI and posthuman criticism" conference, Justus Liebig University Gießen

Invited talk: "Ethnography of a Machine Listening System".
[read more]

Conservatorio di Musica "Giuseppe Tartini" di Trieste

Composition masterclass.
[read more]

Conservatorio di Musica "Giuseppe Nicolini" di Piacenza

Composition masterclass.

Conservatorio di Musica "Giuseppe Nicolini" di Piacenza

Portrait concert with students of the conservatory.

ArteScienza Festival, Goethe Institute, Rome

Portrait concert with Alice Cortegiani (bass clarinet) and Charen de Carolis (piano).
[read more]

ArteScienza Festival, Goethe Institute, Rome

Invited talk: "Bias: interrogating AI through music".
[read more]

Creative Computing Institute, University of the Arts London

Masters-level course in machine learning: Guest session in collaboration with Aaron Einbond.

Centre for Digital Music (C4DM), Queen Mary University of London

PhD-level seminar: Guest session in collaboration with Aaron Einbond.

Blaues Rauschen Festival, Alter Wartesaal, Herne

Performance of Bias by Eckard Koltermann.
[read more]

Zukunftstage II, Anton Bruckner University, Linz

Invited talk: "Ethnography of a Data-making Practice".
[read more]

Doc-Peer Symposium 2025, University of Music and Performing Arts Graz

"Life after Doc": Panel discussion with Judith Siegmund, Artemi-Maria Gioti, Maria Gstättner and Helena Sorokina (mod.).
[read more]

CHIME Annual conference 2024, Open University, Milton Keynes

Keynote address: "Listening through Machine Learning algorithms and data".

VOICES Festival, Radialsystem, Berlin

"Can Artificial Intelligence Compose Music?": Panel discussion with Artemi-Maria Gioti, Dmitry Melkin and Genoël von Lilienstern (mod.).

Contemporary Music & Sound Art Festival, Athens Concert Hall

Performance of Bias Vassilis Priovolos (bassoon) and Orestis Karamanlis (electronics).

Annual conference of the German Society for Music Research, Cologne

"Künstliche Intelligenzen": Panel discussion with Rolf Großmann, Artemi-Maria Gioti and Miriam Akkermann (mod.).

BEAST (Birmingham Electroacoustic Sound Theatre), University of Birmingham

Performance of Bias II by Xenia Pestova Bennett.

Next Generation Festival, ZKM Karlsruhe

Invited talk: "Practice-Based Research in Music and AI".

University of Music Trossingen

Workshop: "Machine Learning in composition and Sonic interaction design".

Klangmanifeste, Vienna

Invited talk: "Deconstructing data".

AI Congress of the State of Saxony, Chemnitz

Performance of Bias II by Magda Mayas.

Institute of New Music and Music Education, Darmstadt

Listening lab, co-led with Magda Mayas.

Institute of New Music and Music Education, Darmstadt

Performance of Bias II by Magda Mayas.
[read more]

MusAI x The Alan Turing Institute Seminar series, PRiSM, RNCM, Manchester

Research talk with Aaron Einbond: "AI and Practice-Based Research in Music and the Arts".
[read more]

Saxon Academy of Arts, Dresden

Invited talk: "Musik und KI: kreatives Potenzial und kritische Perspektiven".

"AI in Music - Agency, Performance, Production and Perception" symposium, University of Music Trossingen

Keynote address: "Deconstructing data: the compositional process as critical inquiry".

Annual Conference of the German Society for Electroacoustic Music (DEGEM), Lübeck

Invited talk: "Artistic research as technological critique in Bias II for piano and interactive music system".

Athens State Orchestra - Chamber music concerts, National Museum of Modern Art, Athens

Performance of Symbiosis by Charis Pazaroulas.

Annual Conference of the Royal Academy of Belgium, Flagey Studio 4, Brussels

Performance of Bias II by Stephane Ginsburgh.

"NCRM Innovation Forum: Methodologies in Creative Practice Research", Royal Holloway, University of London

Invited talk: "Composing data: composing with ML as critical technical practice".

Music and Mathematics Symposium, Paris-Lodron University Salzburg

Invited talk: "Composing algorithms and data: interactive compositions as exploratory and critical technical practice".

Maschinelle Pareidolia, Kesselhaus Trossingen

Premiere of Teach yourself to sing for vocal ensemble and interactive music system by AuditivVokal Dresden.

Realtime Festival, Weserburg Museum of Modern Art, Bremen

Performance of Imitation Game for human and robotic percussionist by Manuel Alcaraz Clemente.

Hochschule für Musik und Theater München

Guest lecture: "Human-Human and Human-Computer Co-creativity in Interactive Musical Works".

Netzwerk Junge Ohren, Berlin

Performance and discussion of Imitation Game for human and robotic percussionist with Manuel Alcaraz Clemente.

FluCoMa podcast

Jacob Hart talks with Artemi-Maria Gioti about the use of computational techniques in her creative practice.

[watch]

Digitale Authorschaft, Mozarteum / Paris-Lodron University Salzburg

Workshop with Vera Sebert and Artemi-Maria Gioti.

Freie Universität Berlin

Guest lecture: "Music in the digital age".

"Performing Critical AI II: Body, Space, Action, Agency", IKLECTIK Art Lab, London

Performance of Bias II by Xenia Pestova Bennett.

MusAI Symposium, University College London (UCL)

Research talk on Bias II, for piano and interactive music system.

Giga-Hertz concert, ZKM Karlsruhe

Premiere of Bias II by Magda Mayas.
[read more]

MUSAiC Festival, KTH Royal Institute of Technology, Stockholm

Invited talk and performance of Bias by Johan Soderlund.

Creative AI Symposium, ARIC, Hamburg

Invited talk: "Human-Human and Human-Computer Co-creativity in Interactive Musical Works".

Women in Data Science (WiDS) 2022, Villach

Invited talk: "From Sound to Data to Meaning: Integrating Machine Learning in Interactive Musical Works".

KTH Royal Institute of Technology, Stockholm

Invited talk: "Authorship, Agency and Distributed Creativity in Interactive Musical Works".

IMPULS 2021, University of Music and Performing Arts Graz

Machine Learning workshop for musicians.

ICMC 2021, Pontificia Universidad Catolica de Chile, Santiago

Paper presentation: "Converge/Diverge: Collaborative Emergence in a Composition for Piano, Double Bass and Interactive Music System". Presentation of Converge/Diverge, for piano, double bass and interactive music system.

New York City Electroacoustic Music Festival (NYCEMF) 2021, New York

Presentation of Converge/Diverge, for piano, double bass and interactive music system.
[read more]

NIME 2021, NYU Shanghai

Paper presentation: "A Compositional Exploration of Computational Aesthetic Evaluation and AI Bias".

Artificia Festival, Barcelona

"Musical Composition with AI": panel discussion with Marco Schorlemmer, Emilios Cambouropoulos, Danae Stefanou, Artemi-Maria Gioti, Ferran Cruixent, Artur García and Ramon López de Mántaras (mod.).

[watch]

inSonic 2020, ZKM Karlsruhe

"Artificial Neural Networks": panel discussion with Palle Dahlstedt (mod.), Philippe Esling, Rebecca Fiebrink and Artemi-Maria Gioti.

[watch]

Ars Electronica Festival, Linz

"Artificial Stupidity": panel discussion with Portrait XO (mod.), Moisés Horta-Valenzuela, Artemi-Maria Gioti, Ali Nikrang and Alex Braga.

Ars Electronica Festival, Linz

Premiere of Bias, for bass clarinet and Interactive Music System by Szilárd Benes.

Ars Electronica Festival, Linz

"Music as Experience in an age of Artificial Intelligence and Computational Creativity": panel discussion with Bob Sturm (mod.), Jennifer Walshe, Robert Rowe, Artemi-Maria Gioti and Shelly Knotts.

[watch]

Feminale der Musik - Female Composers, ZKM Karlsruhe

Digital festival on the work of female composers from the 17th century to the 21st century.
[read more]

Open CUBE concert, IEM Graz (cancelled)

Concert with works by Eduardo Miranda, Artemi-Maria Gioti, Jack Walker, Gerhard Eckel and Ludvig Elblaus.

Experimental Sound Studio, Chicago

Soundsourcing: participatory laptop performance by Visda Goudarzi and Artemi-Maria Gioti.

Columbia College Chicago

Guest lecture: "Composing (for) Computational Intelligence".

Columbia College Chicago

Machine Learning workshop for musicians.

ARTexchange 2020, Hokin Gallery, Chicago

Soundsourcing: participatory laptop performance by Visda Goudarzi and Artemi-Maria Gioti.

Giga-Hertz Award & Concert, ZKM Karlsruhe

Premiere of Imitation game by Manuel Alcarazn Clemente.

Muted blast/2, Dimenna Center for Classical Music, NYC

US premiere of Converge/Diverge by Jana Luksts (piano) and Evan Runyon (double bass).

ICMC 2019, New York University

Paper presentation: "Imitation game: real-time decision-making in an interactive composition for human and robotic percussionist".

Open CUBE Inter_agency, IEM CUBE, Graz

Premiere of Converge/Diverge by Patrick Skrilecz (piano) and Margarethe Maierhofer-Lischka (double bass).

Usership seminar, Orpheus Institute, Ghent

Invited talk: "Extending usership: from evaluation frameworks to socially embedded artistic practices".

ARTikulationen 2018, University of Music and Performing Arts of Graz

Doctoral research presentation.

MUME 2018, University of Salamanca

Paper presentation: "Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques".

Tonraum Festival, Kulturzentrum bei den Minoriten, Graz

Performance of Neurons by Matej Bunderla.

ICMC 2017, Shanghai Conservatory of Music

Paper presentation: "Machine listening in interactive music systems: current state and future directions".

ARTikulationen 2017, University of Music and Performing Arts of Graz

Doctoral research presentation.

Open CUBE, IEM Graz

Performance of Neurons by Joel Diegert.

NIME 2017, Aalborg University, Copenhagen

Performance of Magnetic Fields by Juraj Kojs.

Open CUBE, IEM Graz

Intra-sonic electronic duo presents works by Marco Donnarumma, Enrique Tomás, Visda Goudarzi and Artemi-Maria Gioti.

ICMC 2016, HKU Utrecht

Performance of Symbiosis by Jelte van Andel.
Paper presentation: "From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy".

SMC 2016, HfMT Hamburg

Performance of Magnetic Fields by Bernhard Fograscher.

Open CUBE, IEM Graz

Performance of Croscillations by Luca Lavouri (piano) and Manuel Alcaraz Clemente (live electronics).

DATA Rush, AIL Vienna

Presentation of XMM_Newton (reactive installation for player piano).

Open CUBE, IEM Graz

Premiere of Magnetic Fields by Alexandra Radoulova.

KlimARS Competition, MUMUTH Graz

Presentation of Temperatures for 6-channel generative media.

University of Music and Performing Arts of Vienna

Guest lecture at the Institute for Composition and Electroacoustics.

INTER/actions 2016, Bangor University

Paper presentation: "On the paradox of human-machine symbiosis".

Signale Soirées, Cube, IEM Graz

Research Lecture: "Relocating the human, redefining the technological: action and agency in human-computer music systems".

Electroacoustic Winds 2015, University of Aveiro

Paper presentation: "From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy".

ICAD 2015, MUMUTH Graz

Presentation of Temperatures for 6-channel generative media.

Next_generation 6.0 Festival, ZKM Karlsruhe

Performance of Symbiosis by Margarethe Maierhofer-Lischka.

6. International Symposium on Music/Sonic Art, University of Music Karlsruhe

Performance of Symbiosis by Margarethe Maierhofer-Lischka.

PRATTICA E, Kulturzentrum bei den Minoriten, Graz

Performance of Symbiosis by Margarethe Maierhofer-Lischka.

Open CUBE, IEM Graz

Premiere of Automorph by Szilard Benes (bass clarinet) and Johannes Feuchter (bass clarinet).

Open CUBE, IEM Graz

Premiere of Temperatures (2014) for multichannel generative media.

Open CUBE, IEM Graz

Pianoid: installation for piano and three solenoids, in collaboration with Jonathan Carter.

3rd International Forum for Young Composers, Lisbon

Reading and discussion of Croscillations (2012) for piano and live electronics with Sond Ar-te ELECTRIC ENSEMBLE.

Open CUBE Concert Series, IEM Graz

Premiere of Atopon by Szilard Benes.

Open CUBE, IEM Graz

Performance of Redirection for live electronics.

Dimitria Festival - Collaborative Miniature Project, Thessaloniki

Premiere of Dis by DissonArt Ensemble.

Croscillations, University of Macedonia, Thessaloniki

Portrait concert with works for solo instruments, ensemble, live electronics and sound installations.

80+1: music happening for Sofia Gubaidulina’s 81st birthday, Bey Hamam, Thessaloniki

Premiere of Quia ergo femina for fixed media.

5. Contemporary Music Workshop, Thessaloniki Concert Hall

Premiere of Helicon by DissonArt Ensemble.